I was fully responsible for the entire sound design of Ashes of Mankind, crafting immersive audio that enhances every aspect of the game. From dynamic environmental ambiences to impactful weapon sounds, every detail was designed to bring the world to life. Additionally, I developed technical audio solutions in Unreal Engine (C++) to optimize performance and ensure seamless integration across the game’s mechanics.
A fully released RTS where I contributed to designing and implementing an immersive audio experience. Focused on crafting dynamic sound layers to enhance gameplay depth and user engagement.
Handled sound design and implementation for this fast-paced multiplayer game. Created dynamic audio elements to match the game's intensity and improve overall player immersion.
In modern game development, realistic audio goes beyond simple on/off occlusion. Traditional methods typically use binary checks to determine whether a sound is blocked. In contrast, advanced occlusion systems calculate a dynamic obstruction value, offering Read more…
Creating the Audioscape: Bringing the World to Life Dynamic Sound Systems: Adapting to Player Actions FMOD & Adaptive Audio: Enhancing Interactivity Join me as I dive into the intricate world of sound design for the Read more…
This video presents a selection of my linear sound design work across various media, including film, animation, and web content. From cinematic soundscapes to detailed foley and dialogue editing, this showcase highlights the techniques I Read more…
Curated selection of my interactive sound design work for various game projects. From dynamic environmental ambiences to detailed sound effects, the reel showcases how audio can shape and enhance the gaming experience. The video is Read more…
Collection of sound systems I’ve designed and implemented for various game projects. From real-time environment detection to the integration of dynamic weather and reverb systems, each demo showcases how audio can enhance the gaming experience. Read more…
